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Artifacts' 1994 debut introduced a hip hop duo to the rap world that fought against the grain of the quickly commercializing rap game. El da Sensei and Tame One are two New Jersey natives and former graffiti artists, and they celebrate the original spirit of hip hop. Their tracks are all impeccably produced, dense with instrumentation and rich horns, but the beats and bass stay hard and thumping; no one would ever mistake this for a pop record and they're proud of it. The producers include Redman ...
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look here, i dig this joint because it is good raw hip hop. however, the beats could have been fatter. if the beats were on that YO! BUM RUSH THE SHOW/ENTA DA STAGE VIBE, i would have dug this even more. other than that, it is a decent head noddah.
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Well another solid hip hop album from start to end. Here is another one where it is hard as hell to pick something that I dont like on here. I have to say this is one album that I can still play today in 2007 and it sounds good. These two rappers from New Jersey sound good as they go back and forth. It is sad that they broke up and only had 2 albums out. They are doing there thing on the Independant scene and makeing good stuff. I am biased and have to say that I like El Da Sensei more than Tame One ...
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These guys MC El & Tame One from New Jersey were known as The Artifacts back in '94. Now I never heard of these guy up until about 2 months ago, so that means I still have more research to do in hip hop. What I like about this album is that these guys came with straight lyrical skills on their behalf. One track I keep playing repeatedly is "C'mon With The C'mon, Get Down With The Get Down". I just believe the beat on that song is so nice as both lyricists makes it an easy going sound. "Wrong Side Of ...
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East Coast Does it again!!! This is a underground Classic Pure Great Lyrics over a lot of Nitetime Beats Pure sound, you have to get this if you love underground!!!!