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I am almost as enthusiastic about Klaus Tennstedt's Mahler as any of the reviewers below. Since his death, the conductor's reputation has grown steadily -- his Mahler cycle was inevitably overshadowed during his lifetime by bigger marquee names like Bernstein, Solti, and Karajan. As a bargain set, Tennstedt's Mahler contains as many original ideas as Kubelik's on DG, and for sonics and orchestral execution it's probably a few degrees better.
Yet EMI's studio versions aren't really a ...
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Tennstedt's interpretations emphasize the darker side of Mahler's scores; hence he is among the "hands on" Mahler conductors, such as Barbirolli. Especially successful interpretations are those of # 1-3, 5, and 9. The sound is mostly fine analogue stereo, but some of the recordings are problematic: early digital with a nasty, edgy sound.
Some comments of each recording.
Symphony 1. A very fine interpretation, in outstanding analogue sound. Especially the two final movements ...
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Tennstedt has his unique ways and skill of engeenering the sound of Mahler's symphonies.
Personally, I enjoy this CD set of Symphony 1, 5, 6, 8 and 9
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I can say, what sound quality and performe of this symphonies is on top,best i ever heard. I'm professional musician,so this is not just a mere words.
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Whether you are new to Mahler or just a fellow Mahler enthusiast looking for yet another way of hearing these wonderful works, this well-recorded 11-disc set strikes me as a clear "best buy." I recently acquired a brand-new, sealed copy from one of Amazon's alternative vendors for about $40, which works out to less than $4 per CD.
On 19 December 1974 I was fortunate to attend Klaus Tennstedt's American debut concert with the Boston Symphony. The sole work was Bruckner's 8th Symphony (I am ...
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