Editorial Review:

Album Description:
In the summer of 1994, I got a short letter from a cat named Pedro Serrgura who lived in Portugal. He told me that he had a rock-a-billy band called "The Tennessee Boys", and they wanted to come visit us and try to do some recordings at our home in Denver Colorado. I had a number of doubts about their idea, and suggested that they think it over quite seriously before making such a decision. After all, they were all very young men, and had never really been away from home before. About three weeks later we got a call from the airport saying that they were here and could we give them directions to our house! We were more than a little surprised to say the least! A couple of hours later in walked these four young hep cat looking boys, with smiles on their faces and rock-a-billy in their hearts. After a few days of getting adjusted to a pretty much different "world" than they had been used to, we took them out to our favorite rock-a-billy club called Ziggies Saloon and introduced them all around to the cats and kitties who were there hangin' out. They borrowed some instruments from one of our local be- bop bands called the Hillbilly Hellcats and the town of Denver was changed forever! Them boys took all of us by complete storm! I mean, they flat rocked our socks off, and soon became the rock-a-billy "house band" and played almost every weekend there. It didn't take them very long before they'd won over the hearts and minds of every Rockin' cat and kitty we had in town and a number of bands such as High Noon (who they more than held their own with), The Roadhouse Rockers, and various other bands.